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Showing posts from December, 2010

Knowing Bodies: A Visual and Poetic Inquiry into Gender, Dress and the Professoriate

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Dr Fiona Blaikie CANCELLED DUE TO SNOW. NEW DATE: April 19th 6.30-8.30pm Room 5-250 OISE, 252 Bloor St West This is a visual and poetic inquiry into scholarly clothing as re/presented and lived through the clothed, disciplined/ and/or transgressing bodies of scholars. Through artworks and poetry situated meanings of scholarship and visual identity are revealed and presented. Theoretically, the study resides in the arenas of arts-informed research, social theory on the body, and the social theory of clothing as expressed through gendered clothing choices. Fiona Blaikie has a Ph.D. from the Department of Visual and Performing Arts in Education at the University of British Columbia. She is a Professor of Curriculum Studies and visual art education. Fiona is an internationally recognized scholar in arts education, with a record of numerous publications and conference presentations, including her recent book Canadian Art/Works: A Resource for Primary, Junior, Intermediate and Senior Teache

Oct 18 2010: Pop Fem Lecture: Contagious Feeling, Collective Forgetting: The Affective Archive of Second Wave Feminist Media Activism in Canada

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Dr. Marusya Bociurkiw Review of event: http://mediumonline.ca/2010/10/25/retro-media-activism/ In the years 1972 to 1990, across Canada and around the world, media collectives with utopian names like Reelfeelings, Groupe Intervention Video and Women Alive tried to realize a McLuhanesque vision of a global feminist village. In Canada, they/we created dozens of social issue documentaries and television series’ via community cable TV, producing an ephemeral archive of a vibrant era of political and social change. In this auto-ethnographic project which combines scholarly research and a video essay, I critique the standard Habermassian public sphere formulation of this era and attempt to account for affect. What are the passionate sites feeling that accompanied the enactment of the work and which surely surround its forgetting? Thirty-five years since the forming of the first women’s video collective in Canada, the primary record of this work – the videos themselves – is rapidly disintegr