ARTIFACTS (Pam Patterson & Leena Raudvee) with Josephine Guan, Sean Lee (Tangled Arts & Disability), WIAprojects,and Gallery 1313 have been engaged this summer in the Alter(c)ations Project. This has included Josephine Guan'sThe Artist is Nappingin the Window Box Gallery and Raudvee & Patterson's exhibitAlter(c)ationsin the Cell Gallery. This project also marks the culmination of the exhibit series by disability artists entitledThrough a Glass Lightly. All exhibits are at Gallery 1313.
While the pandemic detached us from each other and our communities, and exacerbated our physical, emotional and/or mental conditions by its isolationism, we dug in and worked, and now scrabble back. We have been deeply inside our skins navigating within our closed circles, drawing out how we present (in) our distinctive worlds.
By reinvigorating the activity of drawing, our hands lovingly trace our body-minds, and indirectly each other’s, articulating alterations that are stunningly striated or swirled, unbalanced, and/or askew. We perceive our own body-selves as other and articulate these in relation to each other.
This is a personal and yet socio-political enterprise for in our doing, we mirror others’ “doings” in the larger disability arts community that likewise ripple out and necessitate respect.
The Alter(c)ations Project Collective: A selection of Patterson’s and Raudvee’s framed drawings or drawing-related works sat alongside a collective text-based wall-sized collage composed of individual words or phrases on paper by members of the disability arts community. A call was sent out by Tangled Arts & Disability for contributions to this project. Gallery visitors assisted in placing these collective words on the wall in performance on Saturday August 6, 2-4 PM.
Elaine Stewart Contributing artist to Through a Glass Lightly & The Alter(c)ations Project collective text work.
The Alter(c)ations Project: WE CAN WORKSHOP
You’re invited to the We CAN Workshop: A Disability Arts Pandemic Debrief & Call to Action! August 11th, 7:00pm – 8.30 PM EST on Zoom.
Many of us in the disability arts community have been unbalanced by this pandemic. This has generated moments where we have felt fragile, uncertain, and vulnerable. Spaces have opened – and closed. The ‘tide’ now recedes, and we are, individually and collectively, presented with a time to debrief and witness how we now present in our diverse worlds. What are the potentials/realities here? How has, or will this time affect our ideas, images, and strategies for practice? How (well) can we now access each other and the ‘gallery’?
This event is a conversation between Sean Lee (Tangled Arts & Disability), Josephine Guan, Pam Patterson & Leena Raudvee (ARTIFACTS & WIAprojects) and you – the attendees. We invite the community to come and ‘workshop’ with us as we contemplate the implications of this post-pandemic time. Come ready to listen, share, reflect, grieve, laugh, and imagine.
Accessibility: ASL will be provided by Jo-Ann Martin and Kimberley Johnson. Auto-captioning will be provided.
Co-presented by Tangled Art + Disability and WIA Projects.
Haraway, D. (2003). The Companion Species Manifesto. Prickly Paradigm Press.
ARTIFACTS gratefully acknowledges the Ontario Arts Council for its generous support of disability artists.
For this year WIAprojects will be working with 113Research and Gallery 1313 on a Toronto Arts Council funded project, Transformative Access: Activating Disability Desires . In “Transformative Access: Activating Disability Desires”, the “disabled” bodies we inhabit foreground our concerns as we, emerging and established artists/designers, curators, project leaders, and advisors, take on critical exploratory work. Here the thematic, creative forms, and community practices are embodied with our pain, frustration, confusions, limitations, desires, loves and cares. As “disabled” people, our bodies exist in tension with the normalized expectations of ordered bodies. In "Transformative Access," we examine how our bodies’ experiences remake our worlds. In conversation with ideologies, people, policies, and structures, we ask, how can the "crip" body act, given its creative potential, be centred in these practices, and be resilient to ableism. We ask, “Wh...
Sept. 15 2024 to Jan. 15 2025 113Research, 113 McCaul Street, 5th floor Monday-Friday 10-6PM Opening Reception September 30 4.30-6 PM Pam Patterson & Mel Rapp "Ocular Occurrences" as exhibition, displays, in the vitrines, digital colour prints (that use eye scans, photographs, and topographical maps) overlayed with Amsler grids, designed to engage the viewer with how Patterson sees and processes images. What, she asks, is the disconnect between medical models and subjective experience? What can a body do to…? The seeming ineffectiveness of this exercise in locating sight is expressed in the accompanying video, Sites of Perception . Optician, designer and writer Mel Rapp exercises his theory of the intersection of observation, memory, and language by responding, in the vitrine, in writing to Patterson’s ironic images. In the two facing photos in the annex lounge, one sees closeup Patterson’s eye framed by one of Rapp’s iconic glassware designs. Here futility is...
Harmeet Rehal’s Manjas as Mobility Aids, 2023, curated by Mason Smart and Jack Hawk, will run from September 1st 2024-October 30th 2024 at Gallery 1313, 1313 Queen Street West, Toronto. The Window Box Gallery will be visible from 1pm-5pm Wednesday through Saturday, and from 1pm-4pm on Sundays. A community opening event will take place on September 3rd from 6:30-8:30, at Gallery 1313. All are welcome, and Rehal’s Manjas will be in action at this event.